Assignment6(Peng Jingxin)




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Assignment 5 June: Barcarolle_________Liu Yushuo

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“June: Barcarolle” is one of Tchaikovsky's piano suites "The Seasons". In fact, there are 12 pieces in "The Seasons", representing 12 months, so each piece is named "Month + Title". It is obvious that “June - Barcarolle” is a depiction of the Russian landscape in June, which embodies the composer's love for nature and is based on a Russian folk dance or folk song, which is closely linked to the composer's emotions. With a sweet melody and soft harmonies the composer expresses the shimmering and rippling water, recreating scenes of landscape, life episodes and various scenes of social activities. In general, this music uses the triple meter and quadruple meter to imitate the feeling of evenly paddling Russian flat-bottom boats. Compared with most of the boat songs written in compound duple meter.The composer's arrangement is more able to reflect the mood of a light boat. Bars 1 to 2 are the introductory section, which is in the key of G mino...
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Assignment #5-SHAO Han-Grieg's Morning Mood

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Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. As a patriotic composer, many of his musical compositions are based on the beautiful nature of Norwegian, customs, and countryside scenery. The programmatic music , Morning Mood is one of the most famous pieces. Morning Mood is part of Edvard Grieg's Peer Gynt , Op. 23. In this piece, Grieg depicts the beautiful nature of a Norwegian morning. The whole work presents a peaceful and idyllic scene. The music gives the impression of being in a dawn landscape. This work is one of the required pieces in many major recitals and is also well-known as a preferred textbook theme for composition and conducting majors.  In the first part (bars 1-20), bars 1-4, the flute lightly reveals the musical theme on the dominant note of E Major. In bars 5-8, the theme is again played on the oboe. The ending s...
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Liszt, Transcendental Études, S.139, No. 12 (“Chasse-neige”) [Cheung Chit]

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The 12 Transcendental Études were written by Franz Liszt, published in 1852 as a revision of an 1837 set of etudes, Douze Grandes Études , which was an elaboration on the thematic ideas in his first set of etudes, Étude en douze exercices , published in 1826. The etude chosen was the last from the 12 Transcendental Études . Its French programmatic title, “Chasse-neige”, translates to “snowstorm” in English. This etude is originally a study in tremolos. Programmatic titles to each etude were only added in the 1852 Transcendental Études but not in the original 1837 and 1826 ones, when the etude as an artistic, programmatic genre was on the rise since Chopin’s pioneering works published in the 1830s – Liszt may have intended this final version of the etude to depict a snowstorm. This etude is of typical early to mid-romantic era style – it is homophonic with a modified ternary (ABA’) structure. It employs a wide range of register with a lot of chromatic and color notes hinting or mo...
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